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  ALLAN BEVAN, Canadian composer

Chor Leoni C4 Composition Competition

5/18/2020

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I would like to share with you a wonderful recording of my Full Fathom Five (TTBB piano) from the Chor Leoni Composition Competition of 2019. I spent three great days in Vancouver with the choir as part of the competition. As the winning piece in the competition Full Fathom Five was awarded a Barbara Pentland Composition Prize for Outstanding Composition by the Canadian Music Centre, British Columbia region.

My thanks to Erich Lichte and Chor Leoni for the inspiring C4 Composition Competition and for the use of this fine recording!

Full Fathom Five is to be released by Cypress Choral Music in the summer of 2020. They will publish both versions of the work: TTBB voices and piano, and SATB voices and piano.

The text is from The Tempest:

Full fathom five thy father lies,
Of his bones are coral made,
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell.
Hark! Now I hear them: ding, dong, bell.

-William Shakespeare
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Harp of Wild

5/6/2020

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I’m pleased to say that my Harp of Wild is now published (spring 2020) by Cypress Choral Music (CP 1862) of Vancouver. This winning piece of the ACCC 2003-2004 Choral Composition Competition was originally published by classica music. Harp of Wild was first performed at Podium 2004 by the treble voices of the National Youth Choir, Timothy Shantz conducting. Listen to the outstanding premiere of the work from Winnipeg, as recorded by the Canadian Broadcasting Corporation.

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Further details, a sample score and a fine recording of the work by Elektra Women’s Choir can be found here:
https://cypresschoral.com/composers/allan-bevan/harp-of-wild/
Harp of wild and dream-like strain,
When I touch thy strings,
Why dost thou repeat again
Long-forgotten things?

Harp, in other earlier days,
I could sing to thee;
And not one of all my lays
Vexed my memory.

But now, if I awake a note
That gave me joy before,
Sounds of sorrow from thee float,
Changing evermore.

Yet, still steeped in memory’s dyes,
They come sailing on,
Darkening all my summer skies,
Shutting out my sun.

Emily Jane Brontë (1818-1848)
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I See His Blood Upon the Rose

5/3/2020

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For SATB voices – Cypress Choral Music CP 1697

A new work (2018) for Lent and Holy Week. The text is by Irish poet Joseph Mary Plunkett (1873-1916).

I see his blood upon the rose
And in the stars the glory of his eyes,
His body gleams amid eternal snows,
His tears fall from the skies.

I see his face in every flower;
The thunder and the singing of the birds
Are but his voice—and carven by his power
Rocks are his written words.

All pathways by his feet are worn,
His strong heart stirs the ever-beating sea,
His crown of thorns is twined with every thorn,
His cross is every tree.

Thanks to The Cypress Studio Singers for this beautiful recording:
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View and Listen
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"FULL FATHOM FIVE" receives First Place Prize in Chor Leoni C4 composition competition

6/22/2019

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https://chorleoni.org/2019/03/finalists-of-chor-leonis-2019-c-4-canadian-choral-composition-competition/
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It is impressive what this choir is able to inspire by their musicianship and vision. This year, I was chosen as a finalist (and ultimately as a first prize winner) in their C4 competition based on my composition, Full Fathom Five.
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Ancient of Days performed by Edmonton Metropolitan Chorus: April 15, 2019

6/22/2019

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A beautiful photo capturing the first performance of Ancient of Days, on April 15th, 2019. Much thanks to all who helped make this concert possible. It was such an honour and a pleasure working with and for such an inspiring group of musicians. 
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All Suddenly the Wind

1/4/2018

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I would like to recommend one my recent publications with Cypress Choral Music, Vancouver, (CP1490). The work is scored for SATB and piano and sets a poem by one of my favourite poets, Rupert Brooke (1887-1915).
The recording below is by the Saskatoon Chamber Singers, James Hawn, conductor. This fine choir commissioned the work and first performed it at their annual Remembrance Day concert in 2016. The poem is also fitting for nature or Spring concert themes.

Click to listen from the Cypress Soundcloud here:
View the score: here

The text:

ALL suddenly the wind comes soft,
And Spring is here again;
And the hawthorn quickens with buds of green,
And my heart with buds of pain.


My heart all Winter lay so numb
The earth so dead and frore,
That I never thought the Spring would come,
Or my heart wake any more.

But Winter’s broken and earth has woken,
And the small birds cry again;
And the hawthorn hedge puts forth its buds,
And my heart puts forth its pain.

    -Rupert Brooke

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Fantastic First Performances

12/13/2017

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I would like to express my gratitude to Robert Cooper and everyone at Chorus Niagara and Toronto Orpheus Choir for the outstanding performances of my new work (Last Light) for chorus, soloists, and orchestra on November 4 and 5 respectively. Cannot imagine how it could have been better! Singers, players, soloists, narrators, all superb! All in all, a composer's dream!
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Above: Soloists, players, and Chorus Niagara on stage at Partridge Hall, FirstOntario Performing Arts Centre, St. Catharines. Photo courtesy of Chorus Niagara.
Below: Soloists, narrators, players, and Toronto Orpheus Choir, Robert Cooper conducting, on stage at Grace Church on-the-Hill, Toronto. Photo credit: Tony Bock, courtesy of Toronto Orpheus Choir.
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Canada 150

6/29/2017

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Chorale Saint-Jean of Edmonton, directed by Dr. Laurier Fagnan is in Ottawa to participate in the Canada 150 celebrations. This fine francophone ensemble for which I have done many works for over the years is singing at a number of events over the holiday weekend. Among the many things the choir is doing is presenting their own stand-alone concert entitled J'Appartiens, on Sunday evening July 2. The concert is named  after my arrangement of Dr. France Levasseur-Ouimet's lovely bilingual song written especially for the occasion. Congratulations Chorale Saint-Jean!



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Listen at the Cypress Choral Music Soundcloud here:
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New Publications, Winter 2017

2/17/2017

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http://cypresschoral.com/PDF/SampleCP1502.pdfAllan Bevan's award-winning Passion Oratorio, Nou Goth Sonne Under Wode (2005) is released in a smaller orchestra version requiring only seven players. The full score is now available from classica Music Publishers. A very successful Carnegie Hall premiere with this new version in March 2016.

Stars for SA and piano on an inspiring text by Canadian poet Marjorie Pickthall is now available from Santa Barbara Music Press (SBMP 1398). This accessible work (good for graduation exercises) was commissioned by the Branksome Hall Chamber Choir, Toronto. More information about Stars at SBMP. You can view and download a perusal score at this link.

All Suddenly the Wind for SATB and piano on a poem by Edwardian poet Rupert Brooke (see elsewhere on this Blog for more on this piece). This piece was commissioned by the Saskatoon Chamber Singers and first performed by them at their Remembrance Day concert in 2015.
View and listen to the score at Cypress Choral Music CP 1490. The text isn't restricted to Remembrance as it could provide a different perspective for spring concerts. See below in this Blog for further comments on the premiere.

Sweet Trees That Shade This Mould of Earth for SSA and piano on a text translated from the original Spanish by James Mabbe, a contemporary of Shakespeare's.  This will be my first original composition to be published by Rhythmic Trident Music Publishing of Vancouver (they also publish my three arrangements of Danny Boy).

J'appartiens (I Belong) for SATB and piano (CP 1502) and SSA and piano (CP 1524). This is the latest collaboration between France Levasseur-Ouimet and Allan Bevan on a commission from Chorale Saint-Jean, Edmonton. The text is a bilingual French-English combination written especially for the choir's use at Canada 150 celebrations in 2017. Lots of performances of this piece coming this year. Check it out here: http://cypresschoral.com/PDF/SampleCP1502.pdf

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No Mortal Business in Toronto

6/1/2016

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Sincere thanks to all involved in the fantastic performance at Trinity St. Pauls on April 23 (400th anniversary of Shakespeare's death to the very day)!  Prologue Geraint Wyn-Davies, soprano Maeve Palmer, the Toronto Orpheus Choir, the Talisker Players, and conductor Robert Cooper were superb. A big thanks to the stage and managerial staff too. The lighting (a first in this performance) was very effective and dramatic. Thank you all for your superlative interpretative skills! It was truly a night to remember.

A thrilling excerpt from the final part of the performance can be accessed here: www.orpheuschoirtoronto.com/blog-media/media/

PictureGeraint Wyn-Davies as Prospero
Saturday, April 23rd, 7:30 PM
Trinity St. Paul's Centre, 427 Bloor Street West
Pre-Concert Chat with Robert Cooper, Geraint Wyn-Davies and Allan Bevan begins at 6:45.
 
Revel in the genius of Shakespeare’s comedies, tragedies and sonnets through words, music and song featuring Stratford Festival star Geraint Wyn Davies. Orpheus’ season Finale spotlights the choral-drama No Mortal Business, a stirring and visionary creation by Canadian composer Allan Bevan, inspired by The Tempest and performed on the 400th Anniversary of the death of the Bard.

Under the artistic direction of Robert Cooper, the Orpheus Choir of Toronto will be joined by The Talisker Players and actor Geraint Wyn Davies – blending the best known songs and prose from Shakespeare’s final literary masterpiece into a rich, lyrical, multi-dimensional performance. 


Purchase Tickets
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No Mortal Business, Edmonton

3/25/2016

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Attended a fantastic performance of my No Mortal Business at the Winspear Centre for Music, Edmonton, on March 13, 2016. It was a real pleasure to be back in Alberta and to experience such fine singing, playing, and acting. Special thanks to Sarah Schaub, soprano, Timothy Anderson, actor, the Richard Eaton Singers, and the RES Chamber Orchestra, all led by Dr. Leonard Ratzlaff. Hearty congratulations to all!
Further information on this composition can be found in past blog entries below.


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post-concert celebration! l to r, Jacques Arsenault, Timothy Anderson, Leonard Ratzlaff, Allan Bevan (photo credit Marcia Bercov)
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Nou Goth Sonne Under Wode, Carnegie Hall, thank you!

3/16/2016

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PictureRichard Sparks

My thanks to all the singers, players, Jolaine Kerley, soprano, Timothy Anderson, actor, and to conductor Richard Sparks for the incredible performance of Nou Goth Sonne Under Wode in New York on March 7, 2016 in a concert entitled Between Heaven and Earth. Carnegie Hall is a unique and beautiful place for making music and it was a very memorable night. Thanks to Iris Derke, and all the great folks at DCINY who assisted in making Between Heaven and Earth possible.




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British Columbia Premiere - Nou Goth Sonne Under Wode

3/16/2016

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If you are in the greater Vancouver area the weekend of March 18-20, 2016 take in the B.C. premiere of my Nou Goth Sonne Under Wode. The choirs of Trinity Western University, Vancouver, directed by Dr. Joel Tranquilla will perform the original version (full orchestra) of the work on the Friday evening in Surrey, and the Saturday evening in Abbotsford.
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Nou Goth Sonne Under Wode, Carnegie Hall, 2016

3/2/2016

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PictureRichard Sparks (left) and Allan Bevan

Noted conductor, Dr. Richard Sparks will lead a large chorus of singers from Canada and the USA in a performance of my Nou Goth Sonne Under Wode at Carnegie Hall, New York City on Monday, March 7, 2016. Dr. Sparks conducted the first two performances of this work in 2005 and 2007 when he was conductor of Pro Coro Canada. Members of the award-winning Orchestra of Distinguished Concerts International, New York will be the orchestra for the event. The performance will use the new smaller ensemble version of the accompaniment which was scored for seven players by the composer in 2015. The concert, sponsored by DCINY, is open to choirs and/or solo choristers from around the world.  Singers will gather in NYC the weekend of March 5-6 to rehearse with Dr. Sparks. 2005 Premiere performance soloists will reprise their roles in New York: soprano Jolaine Kerley as Mary, and Timothy Anderson as the narrator. Allan Bevan will be performing as the organist in the ensemble.  


More information at:  dciny.org  or: info@allanbevan.ca

Can't be a singer but would like to attend the concert? The concert is entitled Between Heaven and Earth
Tickets go on sale December 8, 2015 through the Carnegie Hall web-site. Update March 2, 2016 only a very few tickets to the concert remain.

View the concert Program.


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Carnegie Hall
PictureNou Goth Sonne Under Wode, vocal score
Want to know more about this work?
Completed 2005; large-scale dramatic work on the Passion of Christ for actor, soprano, chorus and orchestra
First performance: Winspear Centre for Music, Edmonton, Good Friday, March 25, 2005 with Timothy Anderson, actor, Jolaine Kerley, soprano, Pro Coro Canada, Pro Coro Canada Chamber Orchestra, Richard Sparks, conductor. Nou Goth Sonne Under Wode is published by classica Music Publishers. Each Carnegie Hall singer should bring a copy of the vocal score as pictured above to rehearsals. More information about obtaining the music can be found here:

Nou Goth Sonne Under Wode vocal score


Additional Upcoming NGSUW Performances:

Edmonton Metropolitan Chorus, I Coristi Chamber Choir, Edmonton Metropolitan Orchestra, Jolaine Kerley, soprano, Timothy Anderson, actor, Rob Curtis, conductor;
Feb. 22/16 Winspear Centre for Music, Edmonton

Trinity Western University Masterworks Chorus, conducted by Dr. Joel Tranquilla; March 18/19/2016, Vancouver





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No Mortal Business in Edmonton and Toronto

3/1/2016

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...and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me that,
when I waked, I cried to dream again.

William Shakespeare - The Tempest
Listen to Robert Cooper conduct Geraint Wyn-Davies (The Prologue), Johanne Ansell (The Angel), the Toronto Orpheus Choir and the Talisker Players in the stirring conclusion to Allan Bevan's No Mortal Business.


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Robert Cooper, C.M.

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Geraint Wyn-Davies

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Maeve Palmer

The Toronto Orpheus Choir will be presenting No Mortal Business on the 400th Anniversary date of the Bard's death. The concert is called Such Stuff as Dreams are Made On: The Lyrical Shakespeare, and it will take place at Trinity-St. Paul's United Church, Toronto, on April 23, 2016. Geraint Wyn-Davies will play the part of the Prologue, while soprano Maeve Palmer will sing the role of the Angel. Tickets

The Richard Eaton Singers, Dr. Leonard Ratzlaff, conductor, will be presenting No Mortal Business at the Winspear Centre for Music, Edmonton, on Sunday, March 13, 2016, 7:30pm in a concert entitled This Mortal Coil. Timothy Anderson will play the part of the Prologue in this performance and soprano Sarah Schaub will sing the role of the Angel of Death.
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Leonard Ratzlaff, C.M.
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Timothy Anderson
PictureWilliam Shakespeare - The Sanders Portrait

    No Mortal Business is a thirty-minute musical and dramatic fantasy that broods upon Shakespeare’s last years as an actor/dramatist. It uses both spoken and sung text from The Tempest, and some of the author’s other dramas and his sonnets. In this work, these previously unrelated texts become the inner thoughts of Shakespeare speaking as if he is remembering all his most poignant characters at once.  From Richard II to The Merchant of Venice and beyond, the Prologue emotes between the musical “Acts” in soliloquy-like passages, then soars above the singing of the chorus and the sound of the orchestra. He puts a voice to the hope, joy, fear, and disappointment that Shakespeare must have felt in a lifetime on the stage. Employing only the words of the Bard himself, No Mortal Business hovers between the Prologue’s inner and outer worlds. At times, he is confused, angry, compassionate, frightened, and profoundly human. His mind is tormented by the constant presence of his own characters, and though he seeks release from his creative turmoil, he is not yet ready to give them all up.  In the meantime, the Angel of Death (soprano solo) calls him gently with the long-lost faith of his youth while the chorus bridges the divide between heaven and earth in singing both ancient plainsong and fresh new settings of Ariel's songs from The Tempest. In No Mortal Business the dramatic tension between Prologue, Soloist, Chorus and Orchestra unfolds in a dream-like cascade of Shakespearean sound and sense resulting in a powerful and moving vision of one of the world’s greatest creative figures. (See also "Shakespeare's 400th" elsewhere in this blog for further information on NMB.)
 





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The Winspear Centre for Music, Edmonton
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Sarah Schaub
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Nou Goth Sonne Under Wode, Edmonton 2016

2/1/2016

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If you are in Edmonton in February you are invited to take in what promises to be a spectacular event at one of Canada's greatest concert halls.
Monday, 22 February 2016, 7:30 pm
Francis Winspear Centre for Music, Edmonton




Mozart “Requiem” & Bevan “Nou Goth” A send-off concert… prior to Edmonton Metropolitan Chorus’s performance in New York City’s Carnegie Hall


Mozart “Requiem”
Allan Bevan “Nou Goth Sonne under Wode”

Edmonton Metropolitan Chorus
David Garber, Artistic Director
i Coristi Chamber Choir
Rob Curtis, Music Director
Edmonton Metropolitan Orchestra
Danielle Lisboa, Artistic Director
Tony Olivares Dance
Tony Olivares, Artistic Director
FlyFree Movement
2J Pantoja, Head Instructor
Jolaine Kerley, soprano; Mireille Rijavec, alto
RJ Chambers, tenor; David McCune, bass
Timothy J. Anderson, actor
Jeremy Spurgeon, organ


The second concert in our 2015-2016 subscription series is the result of an incredible invitation that EdMetro Chorus received… to perform in New York City’s legendary Carnegie Hall. Prior to the Carnegie Hall debut, Edmonton Metropolitan Chorus presents this special concert Edmonton’s Winspear Centre for Music.
Wolfgang Amadeus Mozart “Requiem”, conducted by Danielle Lisboa
One of the classical music’s most beloved compositions, written by a 35-year old musical genius – unfortunately, uncompleted at the time of his death in 1791.  A unique feature of this performance will be the placement of the alto, tenor and bass trombones in the Choir Loft – with their respective choral singers. Nearly 200 performers: two choirs, orchestra, organ, dancers, athletes, soloists.
This performance of Mozart “Requiem” will feature choreography by Tony Olivares, Artistic Director of Tony Olivares Dance. Tony, along with 12 male dancers and athletes, will be presenting the WORLD DEBUT of a new NEW dance form, “ModaKour”… the blending of the grace and strength of Modern Dance with the agility and athleticism of Parkour.  A must see!
Allan Bevan “Nou Goth Sonne Under Wode”, conducted by Rob Curtis
At its world premiere in 2005, presented by Pro Coro Canada, and conducted by Richard Sparks, this modern masterwork received an overwhelming and ecstatic response from the sold-out Winspear audience.  Witness the recreation of this modern masterwork, which Edmonton Metropolitan Chorus will be performing a few weeks later in Carnegie Hall.

Tickets available on-line from TIX on the Square.Orchestra Level $25; Terrace $30; Dress Circle $35; Upper Circle $20


This concert is made possible through a generous grant from the Edmonton Community Foundation.





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Sacred Reflections of Canada - A Canadian Mass

1/23/2016

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The Canadian Chamber Choir, (Dr. Julia Davids, Conductor, Dr. Joel Tranquilla, Associate conductor) has released their new recording Sacred Reflections of Canada - A Canadian Mass recently, and what a fine recording it is!
Seventeen Canadian composers are represented in all. The singing is superb, and the production values are first-rate.
Congratulations, and thank you CCC for your outstanding contribution to the sacred choral tradition in this country.

Listen to Allan Bevan's, Hide Thy Face from the CD:

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To find out more about purchasing this recording and to check out the recent activities of the Canadian Chamber Choir please follow this link:
The Canadian Chamber Choir


Allan Bevan's Hide Thy Face for unaccompanied SATB voices is published by classica Music Publishers on Canada's west coast! See the score here. More information on this work can be found in the Listen section of this web-site. Hide Thy Face is available directly from the publisher or from J. W. Pepper in the U.S.A.
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All Suddenly the Wind

10/23/2015

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Picture Rupert Brooke
All Suddenly the Wind is a brand new composition for SATB voices and piano commissioned by The Saskatoon Chamber Singers, James Hawn, director. This work came about as part of a silent auction at the Association of Canadian Choral Communities Podium 2014 where choirs were encouraged to bid on the creation of a new composition.  The resulting work will be premiered by SCS on November 11, 2015 as part of their annual Remembrance Day concerts. Text for the work is by Rupert Brooke (1887-1915). Brooke, had an extremely promising career as a man of letters cut short by illness while serving in the military.




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The Bow of Sound

10/14/2015

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PictureRobert Cooper, C.M.
The Bow of Sound is a brand new piece composed for the opening of the new concert hall in St. Catharines, ON. The work was commissioned by Chorus Niagara, Robert Cooper, C.M. conductor and it will receive its premiere on Saturday, November 7, 2015 under the baton of Maestro Cooper. The new building is part of the FirstOntario Performing Arts Centre, which among other features, includes the 700-seat concert space to be called Partridge Hall. The project is an innovative one, being a combined effort of Brock University and the city of St. Catharines.

The Bow of Sound is a six-minute piece for chorus and orchestra composed over the summer of 2015. It sets the poetry of Henry Van Dyke (1852-1933), long-time Professor of English at Princeton University. The concert will feature the combined choirs of Chorus Niagara, the McMaster University Chorus, (about 160 voices in all) and the Niagara Symphony Orchestra. Music by Bruckner and Finzi will also be featured on this exciting inaugural program and there is an exciting array of up and coming soloists involved as well. You are invited to be a part of this important event in the Niagara region!  Tickets and more information here.

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Partridge Hall (artist rendering), FirstOntario Performing Arts Centre, St. Catharines, ON
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Le Pont Mirabeau

9/15/2015

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Voicing: SATB a cappella
Text: Guillaume Apollinaire (1880 - 1918)
Published by: Cypress Choral Music CP1275, (2014)
Retail: Sheet Music Plus (you can view the score and listen here); Long and McQuade

A work commissioned by Chorale Saint-Jean, Dr. Laurier Fagnan, director, and first performed in Edmonton by the choir, and on tour in France. This work is a challenging fin de siècle setting of Apollinaire's iconic poem about lost love at the Mirabeau bridge in Paris and quite unlike other versions.


Sous le pont Mirabeau coule la Seine
Et nos amours
Faut-il qu'il m'en souvienne
La joie venait toujours après la peine

           
Vienne la nuit sonne l'heure
           Les jours s'en vont je demeure


Les mains dans les mains restons face à face
Tandis que sous
Le pont de nos bras passe
Des éternels regards l'onde si lasse

L'amour s'en va comme cette eau courante
L'amour s'en va
Comme la vie est lente
Et comme l'Espérance est violente

Passent les jours et passent les semaines
Ni temps passé 
 Ni les amours reviennent
Sous le pont Mirabeau coule la Seine


           Guillaume Appolinaire (1880 - 1918)
from Les Alcools, 1912




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Elles s'appelaient Marie

8/27/2015

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Voicing: Soprano Solo, SATB and piano; Narrator; Dancers; Mixed media
Text and Melodies by: France Levasseur-Ouimet (text in French)
Arranged by: Allan Bevan
Published by: L'Alliance des Chorales du Quebec, distributed by Editions Gam, Montreal

Enjoy a lovely montage of a recent performance of France Levasseur-Ouimet's Canadian masterpiece, Elles s'appelaient Marie. This is an extended work (duration 50') taking as its subject the trials and tribulations of the work's heroine Marie, (soprano solo) a Quebec-born woman who homesteads in the early years of the province of Alberta. The performance comes from Gatineau, QC and features their live sound track of the work's final movement Je te Salue, Marie. Elles s'appelaient Marie was commissioned by Chorale Saint-Jean, Dr. Laurier Fagnan, director, in 2006 and first performed by them in Edmonton the following year.  The work was featured at Choralies 2012 (the world-wide francophone choral congress). The YouTube excerpt below is taken from an April, 2015 performance in the L'Eglise St.-Francois-de-Sales, Gatineau, QC. The Choeur classique de l'Ouataouais, Tiphanie Legrand, conductor, and the Chorale de l'Ecole secondaire publique De La Salle, Robert Filion, conductor, combine forces in this production. The complete work is available from Editions Gam in Montreal, as are four of the individual movements which are available separately.

https://www.youtube.com/watch?v=ktl4oMc6cr8


Profitez d'une belle montage d'une performance récente du chef-d'œuvre canadienne de France Levasseur-Ouimet, Elles s'appelaient Marie. Ceci est un travail prolongé sur les épreuves et les tribulations de Marie, (soprano solo) une femme d'origine québécoise qui Propriétés dans les premières années de la province de l'Alberta. Elles s'appelaient a été commandé par la Chorale Saint-Jean, Laurier Fagnan, directeur, en 2006.




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Eine alte Krippe - Zachtjes Sliep Maria's Kind 

8/15/2015

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Did you know that one of my most popular Christmas works has been translated into both Dutch and German? If you are a European choir director the rights to my Gentle Mary Laid Her Child are held by the European Choral Club for the Benelux region. The Dutch translation is by Titia Lindeboom and the German translation is provided by Birgitt Paulusma.
The European Choral Club has SATB and TTBB versions of Gentle Mary Laid Her Child in English, Dutch (Zachtles Sliep Maria's Kind), and German (Eine Alte Krippe).

See and listen to Gentle Mary Laid Her Child at The European Choral Club.

Wist u dat een van mijn meest populaire kerst werken is vertaald in het Nederlands en het Duits? Als u een Europees koor directeur van de rechten op mijn Gentle Mary Laid Her Child worden gehouden door de Europese Choral Club voor de regio Benelux. De Nederlandse vertaling is door Titia Lindeboom en de Duitse vertaling wordt geleverd door Birgitt Paulusma.
De Europese Choral Club heeft SATB en TTBB versies van Gentle Mary Laid Her Child in het Nederlands, Engels (Zachtles Sliep Maria's Kind) en Duits (Eine Alte Krippe).

Zie en luister


Wussten Sie, dass eine meiner beliebtesten Weihnachts Arbeiten hat sowohl in Niederländisch und Deutsch übersetzt worden? Wenn Sie ein europäischer Chorleiter sind die Rechte an meiner Gentle Mary Laid Her Child werden von der Europäischen Chorraum für die Region Benelux statt. Der holländische Übersetzung ist von Titia Lindeboom und die deutsche Übersetzung wird von Birgitt Paulusma vorgesehen.
Die Europäische Choral Club hat SATB und TTBB Versionen von Gentle Mary Laid Her Child in Englisch, Niederländisch (Zachtles Sliep Marias Art) und Deutsch (Eine Alte Krippe).

Sehen und hören

More information and additional recordings of Gentle Mary Laid Her Child in its SATB, SSAA, SAB, and TTBB English versions may be found in the Listen section of this web-site.





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The Lost Lagoon

8/11/2015

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The Lost Lagoon, a recent work on a poem by Canadian poet E. Pauline Johnson has been published by classica Music Publishers. The Lost Lagoon is scored for SATB and piano and was the winner of the 2011 Vancouver 125 Composition Competition sponsored by Jubilate Vocal Ensemble. Pauline Johnson, the famous Mohawk poet lived the last four years of her life in Vancouver, and she was often seen paddling her canoe in the Lost Lagoon which was located within the confines of Stanley Park.  Although the lagoon is now a freshwater lake, Johnson was buried in the park, and there is a monument to her memory there.  

It is dusk on the Lost Lagoon,
And we two dreaming the dusk away,
Beneath the drift of a twilight grey,
Beneath the drowse of an ending day,
And the curve of a golden moon.

It is dark in the Lost Lagoon,
And gone are the depths of haunting blue,
The grouping gulls, and the old canoe,
The singing firs, and the dusk and--you,
And gone is the golden moon.

O! lure of the Lost Lagoon,--
I dream to-night that my paddle blurs
The purple shade where the seaweed stirs,
I hear the call of the singing firs
In the hush of the golden moon.

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E. Pauline Johnson (1861-1913)

View the score at classica Music Publishers
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Recent Treble Voice Commissions 2

8/7/2015

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Title: Que Reste-t'Il?
Voicing: SA and piano
Text/Melody: France Levasseur-Ouimet
Arrangement: Allan Bevan
Published by: classica Music Publishers - C 040 EVM
Retail: Long and McQuade

Que Reste-t'il? (What Remains?) was commissioned by Artemis, Choeur de Femmes, of Montreal. The choir won a silent auction sponsored by the Association of Canadian Choral Communities at Podium 2012, and Que Reste-t-il? became the prize! The choir, under the direction of Danielle Maisonneuve, sung the work for the first time in May 2014, and the piece was published shortly thereafter. classica Music Publishers has a lovely description of this work on their website, and you can view some of the score there as well.
Allan Bevan and France Levasseur-Ouimet have collaborated on a regular basis for over ten years. Dr. Levasseur-Ouimet is a gifted francophone songwriter who resides in Edmonton.

View the score at classica Music Publishers

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Now Sleeps the Crimson Petal

8/7/2015

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A just-released (Summer 2015) SATB a cappella composition on a famous text by Alfred, Lord Tennyson (1809-1892). Commissioned by the Jublilate Vocal Ensemble of Vancouver, and first performed by the choir on March 8, 2015 under the direction of Dr. Larry Nickel.
The sumptuous painting on the cover of the new publication is "The Lady of Shalott", painted by John William Waterhouse in 1888, and inspired by Tennyson's ballad of the same name.
NOW sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:

The fire-fly wakens: waken thou with me.

Now droops the milkwhite peacock like a ghost And like a ghost she glimmers on to me.

Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.

Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.


Now folds the lily all her sweetness up,
And slips into the bosom of the lake:

So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.


     From The Princess: A Medley (1847)


See the score and listen to a recording at Cypress Choral Music, or at SheetMusicPlus

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    by Allan Bevan

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