The Music of
ALLAN BEVAN

Music for Choirs and Orchestras

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TREBLE VOICES
A Cradle Song
sample clip LISTEN (commissioned work)
An End
Ave Maria (award winner)
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Ave Verum Corpus
Danny Boy
Deep River
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Echo (award winner)
For a Dream's Sake
Gentle Mary Laid Her Child
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Harp of Wild (award winner)
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Mirage

Sweet Trees Who Shade This Mould of Earth
NEW! (commissioned work)
The Huron Carol (commissioned work)
There, In That Other World
NEW! (commissioned work)
To Morning
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NEW WORK FOR TREBLE VOICES

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There, In That Other World

A commission from Ariose Women's Choir of Edmonton, Dr. Marilyn Kerley, conductor. The work was premiered on April 17, 2005. On November 19th, 2005, Ariose released their fourth CD entitled "There, In That Other World" during a concert at McDougall United Church in Edmonton. The piece is a setting of a haunting poem by Mary Coleridge. Scored for SSAA and piano it is 5 minutes in duration and is moderately difficult. THIS RECORDING HAS BEEN NOMINATED AS THE BEST CANADIAN CH0RAL CD OF THE PAST TWO YEARS BY THE ASSOCIATION OF CANADIAN CHORAL CONDUCTORS

All recordings are $20 CDN each ($5 will be added to each order to cover costs of shipping and handling). To order this CD, e-mail Ariose at ariose2000@hotmail.com.

 

 

A CRADLE SONG

Recorded on:

Voicing: 2 treble soloists, SSA and piano
Text: W. B. Yeats (1865-1939)
Ordering info: contact composer
Level of Difficulty: Moderate
Duration: 3'25"

 

order Listen to the Future

Listen to the Future
Cantaré Children's Choir
Catherine Glaser-Clime, artistic director

listenA Cradle Song

A Cradle Song was commissioned by the Alberta Foundation for the Arts for
Cantaré Children's Choir, Catherine Glaser-Climie, Conductor. The bitter-sweet text is about a parent standing by the crib of their infant imagining a future time when the child has grown old enough to leave home. The work was premiered in May of 2002 in Calgary, and sung frequently by Cantaré as part of their Irish residency and tour.

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An End

AN END by Christina Rossetti

Love, strong as Death, is dead.
Come, let us make his bed
Among the dying flowers:
A green turf at his head;
And a stone at his feet,
Whereon we may sit
In the quiet evening hours.
He was born in the Spring,
And died before the harvesting:
On the last warm summer day
He left us; he would not stay
For Autumn twilight cold and grey.
Sit we by his grave, and sing
He is gone away.

To few chords and sad and low
Sing we so:
Be our eyes fixed on the grass
Shadow-veiled as the years pass,
While we think of all that was
In the long ago.

Voicing: SSAA and piano
Text: Christina Rossetti (1830-1894)
Ordering info: Cypress Choral Music CP 1090 (distributed in the USA by Musical Resources Inc.)
Level of Difficulty: moderate
Duration: 3’30”
Request complimentary copy

AVE MARIA

Voicing: 2 Soprano soloists, SA and piano
Text: Trad.
Ordering info: Cypress Choral Music CP1049 (distributed in the USA by Musical Resources Inc.)
Level of Difficulty: moderate
Duration: 3’10”

Request complimentary copy

Recorded on:
order Garden of Delights

Garden of Delights
Amabile Youth Singers
John Barron and Brenda Zadorsky, conductors


listenAve Maria

Review:

"If your choir can't sing it you should hire two good sopranos to perform it just so your congregation can hear something as beautiful as this...This is beyond recommended."--Rollin Smith, The American Organist, JAN 2005.

order Joy Shall Be  Yours

Joy shall be yours
Ariose women's choir
Dr. Marilyn Kerley, conductor

Ave Maria

Ave Maria was a first prize winner in the first Biennial Composition Competition sponsored by the Association of Canadian Choral Conductors and their Associated Publisher, Cypress Choral Music.

The work was premiered by the National Youth Choir, Leonard Ratzlaff, conductor, at Podium 2000 in Edmonton, Alberta. It has also received performances by such groups as Ariose Women's Choir, Cantare Children's Choir, Elektra Women's choir, and Concerto della Donna.

A string quartet accompaniment is available and can be used in lieu of the piano, available through the Canadian Music Centre.


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AVE VERUM CORPUS
Voicing: SA and piano
Text: Trad.
Ordering info: Colla Voce #20-96560
Level of Difficulty: easy
Duration: 2’

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Review

"If this were by Gabriel Faure, it would be a classic. Fortunately, it probably will be. Talk about easy and effective!"---Rollin Smith, The American Organist, JAN 2005.

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Danny Boy
Voicing: SSA and piano
Text: Frederick Wetherley
Ordering info: contact composer
Level of Difficulty: moderately easy
Duration: 3’

Allan Bevan's arrangements of the old favourite, Danny Boy were performed at the National Arts Centre in Ottawa as part of the Unisong Festival. A massed choir of almost 400 voices under the direction of Leonard Ratzlaff sang a special arrangement by the composer that combined the two published versions so the mixed voice, and treble voice choirs could sing simultaneously. The SATB and SSA arrangements are available from composer.

DEEP RIVER arr.

Voicing: SA and piano
Text: Trad.
Ordering info: Colla Voce 20-96570
Level of Difficulty: easy
Duration: 2’


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Recorded on:

 

Let the Music Begin
Cantaré Children's Choir
Catherine Glaser-Clime, Founder/ Artistic Director

Deep River

order I am a Star

I am a Star
Hamilton Children's Choir
David Davis,
conductor

listenDeep River

order America Sings

America Sings!
The Cincinnati Boychoir
Randall N. Wolfe,
conductor

Deep River

Review

"A simple setting of this famous spiritual, some nice counterpoint and lyrical phrases add to the piece's effectiveness."--The Choral Room (Spring 2003)

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FOR A DREAM'S SAKE

Voicing: cycle for SSAA and piano
Text: Christina Rossetti
Performance of the cycle:
1) An End 2) Mirage 3) Echo
Each piece is available individually through Cypress Choral Music
Level of Difficulty: moderate
Duration: 12’

I. An End

II. Mirage

III. Echo

An End

AN END by Christina Rossetti

Love, strong as Death, is dead.
Come, let us make his bed
Among the dying flowers:
A green turf at his head;
And a stone at his feet,
Whereon we may sit
In the quiet evening hours.
He was born in the Spring,
And died before the harvesting:
On the last warm summer day
He left us; he would not stay
For Autumn twilight cold and grey.
Sit we by his grave, and sing
He is gone away.

To few chords and sad and low
Sing we so:
Be our eyes fixed on the grass
Shadow-veiled as the years pass,
While we think of all that was
In the long ago.

Voicing: SSAA and piano
Text: Christina Rossetti (1830-1894)
Ordering info: Cypress Choral Music CP 1090 (distributed in the USA by Musical Resources Inc.)
Level of Difficulty: moderate
Duration: 3’30”
Request complimentary copy

Mirage
Voicing: SSAA and SA soloists and piano
Text: Christina Rossetti
Ordering info: Cypress Choral Music CP 1089
Level of Difficulty: challenging with a deep and mature text
Duration: ca. 3’

MIRAGE by Christina Rossetti

The hope I dreamed of was a dream,
Was but a dream; and now I wake,
Exceeding comfortless, and worn, and old,
For a dream's sake.

I hang my harp upon a tree,
A weeping willow in a lake;
I hang my silent harp there, wrung and snapped
For a dream's sake.

Lie still, lie still, my breaking heart;
My silent heart, lie still and break:
Life, and the world, and mine own self, are changed
For a dream's sake.


ECHO

ECHO by Christina Rossetti

Come to me in the silence of the night;
Come in the speaking silence of a dream;
Come with soft rounded cheeks and eyes as bright
As sunlight on a stream;
Come back in tears,
O memory, hope, love of finished years.
Oh dream how sweet, too sweet, too bitter sweet,
Whose wakening should have been in Paradise,
Where souls brimfull of love abide and meet;
Where thirsting longing eyes
Watch the slow door
That opening, letting in, lets out no more.

Yet come to me in dreams, that I may live
My very life again though cold in death:
Come back to me in dreams, that I may give
Pulse for pulse, breath for breath:
Speak low, lean low,
As long ago, my love, how long ago!

Voicing: SSAA and piano
Text: Christina Rossetti
Ordering info: publisher Cypress Choral Music CCM 1083
–(distributed in the USA by Musical Resources Inc.)
Level of Difficulty: Moderate
Duration: 4’

Request complimentary copy

Composed 2001, published 2002. Echo was first-prize winner in the second biennial ACCC Composition Competition. The work was premiered in Toronto at Podium 2002, by the National Youth Choir, under the direction of Lydia Adams.

Echo is the final movement of the choral song cycle entitled For a Dream's Sake. This 12 minute cycle features three love poems by Christina Rossetti (An End, Mirage, and Echo). Each are published separately by Cypress Choral Music.

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GENTLE MARY LAID HER CHILD


Voicing: 1) SATB and piano 2) SSA and pno. 3) SAB and pno. 4) TTBB and pno.
Text: Joseph Simpson Cook
Publisher: Canadian International Music ; in Europe Unisong Music Publishers
Level of Difficulty: easy
Duration: 3’
Request complimentary copy

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Recorded onorder Christmas in our  time

listenGentle Mary Laid Her Child

 

SATB

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This is one of my more accessible choral works. The optional solo in all of the versions is very ‘mid-range', and suitable for all types of voices. In each of the four versions the second verse is harmonized and intended to be sung unaccompanied. The last verse is for unison choir and descant. The four published arrangements appear in three different keys and can be interchanged if desired. The first version was the SATB piece which was composed in 1994, followed by the SSA in 1995. Both of these were part of the very first group of publications released by Canadian International Music in 1996 (and Lorenz Corporation in the U.S.A.) The SAB and TTBB versions of the work were completed in 2000 and published in 2001. A complete recording (SATB) is available at J.W. Pepper, and any of the four versions are obtainable through Sheetmusic.com and Music 44, among other well-known retailers. In 2005, Gentle Mary was translated into both Dutch and German and is available through the European Choral Club.
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Recorded on

order Joy Shall Be Yours

listenGentle Mary Laid Her Child

SSA

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Available for order from these fine stores:
In the U.S.:
In Canada
J.W. Pepper Canadian Choral Centre

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SAB

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TTBB

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HARP OF WILD

Poem: Harp of Wild by Emily Bronté

Harp of wild and dream-like strain,
When I touch thy strings,
Why dost thou repeat again
Long-forgotten things?
Harp, in other, earlier days,
I could sing to thee;
And not one of all my lays
Vexed my memory.
But now, if I awake a note
That gave me joy before,
Sounds of sorrow from thee float,
Changing evermore.
Yet, still steeped in memory’s dyes,
They come sailing on,
Darkening all my summer skies,
Shutting out my sun.
--Emily Bronté

Voicing: SSA and piano
Text: Emily Bronte (1818-1848)
Ordering info: Classica Music Publishers
Level of Difficulty: Moderate
Duration: 4'30'

Request complimentary copy

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Recorded on:

Elektra's Garden

Elektra Women's Choir
Morna Edmundson and Diane Loomer, Co-Conductors

Harp of Wild

To Morning

Harp of Wild won the first prize in the SSA category of the ACCC Choral Composition Competition 2003-2004. The work was premiered by the National Youth Choir, Kathryn Laurin, conductor, Tim Shantz, associate conductor, on May 20th, at Podium 2004 in Winnipeg. This sets a text by Emily Bronte (1818-1848) concerning love and memory.
Reviews

"Images of mist-covered, wind-swept moors set the backdrop for Elektra Women’s Choir’s romantic spring
journey, Harp of Wild. Allan Bevan’s sensitive musical setting, varying tempos and wide dynamic ranges combined
with Emily Brontë’s evocative poem result in the perfect composition for Elektra’s spring concert. The title catches the imagination first as the music stirs conflicted thoughts of unrequited love and springtime.
Canadian Allan Bevan’s excellent composition craft is found in the phrases, dynamics, and choices of keys all supporting and highlighting the glorious lines of Bronté’s text. The harmonic language of Harp of Wild is adventurous but not dissonant. The piece won the 2004 Association of Canadian Choral
Conductor’s Composition Competition and Elektra is looking forward to bringing it to Vancouver audiences."
-The Electrik Wire, April 2005.

Notes from Elektra's "Thirty Top Picks" by Diane Loomer.

"The text for this tender, endearing work is Emily Bronte's beautiful poem “Harp of Wild”. Written for SSAA and Piano accompaniment, Bevan sets the text above an imaginative piano accompaniment that allows the pianist to play well into the keys while at the same time convincingly evoking the sounds of a harp. This type of accompaniment gives the choir a secure and encouraging base from which to sing and yet never gets in the way of the music or the text. The harmonic language is adventurous but not dissonant. Bevan is explicit in his dynamics and precise in tempi. This provides the conductor, pianist and singers with an excellent road map from which to work, thereby allowing them to bring the primary emphasis to the text and its meaning. Excellent compositional craft is at work here with phrases, dynamics, and choices of keys all supporting and highlighting the glorious, poignant lines of Bronte's text. This piece won the 2004 Association of Canadian Choral Conductors Composition Competition. Once you sing it, you'll understand why." – DL

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Mirage
Voicing: SSAA and SA soloists and piano
Text: Christina Rossetti
Ordering info: Cypress Choral Music CP 1089
Level of Difficulty: challenging with a deep and mature text
Duration: ca. 3’

MIRAGE by Christina Rossetti

The hope I dreamed of was a dream,
Was but a dream; and now I wake,
Exceeding comfortless, and worn, and old,
For a dream's sake.

I hang my harp upon a tree,
A weeping willow in a lake;
I hang my silent harp there, wrung and snapped
For a dream's sake.

Lie still, lie still, my breaking heart;
My silent heart, lie still and break:
Life, and the world, and mine own self, are changed
For a dream's sake.


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Sweet Trees Who Shade This Mould of Earth
Voicing: SSAA with piano
Text: Fernando de Rojas (fl. 16th c.) Translated by James Mabbe
Ordering info: unpublished contact composer for more information
Level of Difficulty: Moderately difficult
Duration: 5' 30"

This work was commissioned by Da Camera Singers, Edmonton, Alberta, and received its world premiere at their Venus Meets Mars concert on March 16th, 2005.

THE HURON CAROL (SSAA)
SSAA version Recorded on:
Voicing: SSAA a cappella
Text: St. Jean de Brebeuf (1593-1659) translated by J. Edgar Middleton (1872-1960)
unpublished: contact composer
Level of Difficulty: Moderately easy
Duration: 2' 30"
(see also the SATB version)
And On Earth Peace
Heruvymy Ukrainian Female Quartet
This arrangement for treble voices revoices the published SATB version. I did this for the vocal quartet Heruvymy of Edmonton in 2003.

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THERE, IN THAT OTHER WORLD
Recorded on:
Voicing: SSAA and piano
Text: Mary Coleridge
Ordering info: classica Music Publishers
Level of Difficulty: Moderately difficult
Duration: 6’
This commission from Ariose Women's Choir of Edmonton, Dr. Marilyn Kerley, conductor was premiered on April 17, 2005. In November 2005, the choir released a recording of the work (order). It sets a haunting poem by Mary Coleridge. Scored for SSAA and piano it is 5 minutes in duration and is moderately difficult.

There in That Other World
Ariose women's choir,

Marilyn Kerley, conductor

There in That Other World

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TO MORNING

Voicing: SSA and piano
Text: William Blake (1770-1827)
Level of Difficulty: Moderate choral parts- technically-capable pianist required.
Duration: 3’

Order copies of the score:
(CANADA) Cypress Choral Music (CCM 1076)
(USA) Musical Resources, Toledo OH


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The University of Alberta Madrigal Singers
(singing pages 4 and 5)

Text of To Morning
from William Blake's "Poetical Sketches" (1783)

O holy virgin! Clad in purest white,
Unlock heav'n's golden gates, and issue forth:

Awake the dawn that sleeps in heav'n: let light
Rise from the chambers of the east, and bring
The honied dew that cometh on waking day.

O radiant morning, salute the sun,
Rouz'd like a huntsman to the chase, and with
Thy buskin'd feet, appear upon our hills.

RECORDED ON:

I began work on the choral composition as early as 1981, when I was an undergraduate studying composition with Paul McIntyre at The University of Windsor. Unfortunately, we ran out of time in the term and I didn’t finish it. I promptly forgot about it, until I found the original sketch again fourteen years later! I went on to finish the piece in 1995, and it remains one of my own personal favourites. It was published by Cypress Choral Music in 2002 and was chosen as one of Elektra Women's Choir "Top Thirty" picks for treble voices (see below). In 2006 the work was scored for string orchestra to enter into the "Mozart 250 Composition Competition" sponsored by Chamber Orchestra Kremlin. It was selected as the winner of the orchestra's member choice award, and has been performed by them numerous times in Europe and the U.S.

The Music in Me
The Music in Me

Cantaré Children's Choir
Catherine Glaser-Clime, Founder/ Artistic Director

To Morning

Recorded on:

Elektra's Garden

Elektra Women's Choir
Morna Edmundson and Diane Loomer, Co-Conductors

Harp of Wild

To Morning

Review

Notes from Elektra's "Thirty Top Picks" by Morna Edmundson.

"After a somber and mysterious introduction by the piano, the opening vocal line of this setting of William Blake's poem sounds and feels like a sacred work, but the line “O holy virgin” refers not to the Virgin Mary but to “morning” herself, “clad in purest white”. Scored for piano and voices in three parts, the emphasis is definitely on the text, creating lots of opportunity for your choir to sing expressively and with good diction. In spite of a harmonic language that is quite adventurous, this piece sings beautifully and the lines are well crafted for voices. Clear dynamic contrasts and frequent unisons in a fairly low range contribute to this piece's beautiful unfolding, mirroring the sunrise it describes. The climax comes in the last chords by the choir, at which point you need a few first sopranos who can sing one high Bb with poise. We never hesitate to use just a few voices in spots like this." – ME

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Chamber Orchestra Kremlin
(Moscow)