A CRADLE SONG
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Recorded on: |
Voicing: 2 treble
soloists, SSA and piano
Text: W. B. Yeats (1865-1939)
Ordering info: contact composer
Level of Difficulty: Moderate
Duration: 3'25"
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Listen
to the Future
Cantaré Children's Choir
Catherine Glaser-Clime, artistic director
A
Cradle Song
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A Cradle Song was commissioned by the Alberta Foundation
for the Arts for
Cantaré Children's Choir, Catherine Glaser-Climie,
Conductor. The bitter-sweet text is about a parent standing by the crib
of their infant imagining a future time when the child has grown old enough
to leave home. The work was premiered in May of 2002 in Calgary, and sung
frequently by Cantaré as part of their Irish residency and tour. |
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AN END by Christina
Rossetti
Love, strong as Death, is dead.
Come, let us make his bed
Among the dying flowers:
A green turf at his head;
And a stone at his feet,
Whereon we may sit
In the quiet evening hours.
He was born in the Spring,
And died before the harvesting:
On the last warm summer day
He left us; he would not stay
For Autumn twilight cold and grey.
Sit we by his grave, and sing
He is gone away.
To few chords and sad and low
Sing we so:
Be our eyes fixed on the grass
Shadow-veiled as the years pass,
While we think of all that was
In the long ago. |
Voicing:
SSAA and piano
Text: Christina Rossetti (1830-1894)
Ordering info: Cypress
Choral Music CP 1090 (distributed in the USA by Musical
Resources Inc.)
Level of Difficulty: moderate
Duration: 3’30”
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AVE MARIA |
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Recorded
on:
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Garden
of Delights
Amabile Youth Singers
John Barron and Brenda Zadorsky, conductors
Ave
Maria |
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Review:
"If your choir can't sing it you should hire two
good sopranos to perform it just so your congregation can hear something
as beautiful as this...This is beyond recommended."--Rollin Smith,
The American Organist, JAN 2005. |
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Joy
shall be yours
Ariose women's choir
Dr. Marilyn Kerley, conductor
Ave
Maria
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Ave Maria was a first prize winner in the first
Biennial Composition Competition sponsored by the Association of Canadian
Choral Conductors and their Associated Publisher, Cypress Choral Music.
The work was premiered by the National Youth Choir,
Leonard Ratzlaff, conductor, at Podium 2000 in Edmonton, Alberta. It has
also received performances by such groups as Ariose Women's Choir,
Cantare Children's Choir, Elektra Women's choir, and Concerto della Donna.
A string quartet accompaniment is available and can be used
in lieu of the piano, available through the Canadian
Music Centre.
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Voicing:
SA and piano
Text: Trad.
Ordering info: Colla
Voce #20-96560
Level of Difficulty: easy
Duration: 2’

Review
"If this were by Gabriel Faure, it would be a classic. Fortunately,
it probably will be. Talk about easy and effective!"---Rollin Smith,
The American Organist, JAN 2005. |
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Danny Boy
Voicing: SSA and piano
Text: Frederick Wetherley
Ordering info: contact
composer
Level of Difficulty: moderately easy
Duration: 3’
Allan
Bevan's arrangements of the old favourite, Danny
Boy were performed at the National Arts Centre
in Ottawa as part of the Unisong Festival. A massed choir of
almost 400 voices under the direction of Leonard Ratzlaff sang
a special arrangement by the composer that combined the two
published versions so the mixed voice, and treble voice choirs
could sing simultaneously. The SATB and SSA arrangements are
available from composer.
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Voicing: SA
and piano
Text: Trad.
Ordering info: Colla
Voce 20-96570
Level of Difficulty: easy
Duration: 2’
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Recorded
on:

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Let the
Music Begin
Cantaré
Children's Choir
Catherine
Glaser-Clime, Founder/ Artistic Director
Deep
River
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I
am a Star
Hamilton Children's Choir
David Davis,
conductor
Deep
River
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America
Sings!
The Cincinnati Boychoir
Randall N. Wolfe,
conductor
Deep River |
| Review |
| "A simple setting of this famous spiritual,
some nice counterpoint and lyrical phrases add to the piece's effectiveness."--The
Choral Room (Spring 2003)
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| FOR
A DREAM'S SAKE |
Voicing:
cycle for SSAA and piano
Text: Christina Rossetti
Performance of the cycle:
1) An End 2) Mirage 3) Echo
Each piece is available individually through Cypress
Choral Music
Level of Difficulty: moderate
Duration: 12’ |

I. An End

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II. Mirage

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III. Echo

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An End
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AN END by Christina
Rossetti
Love, strong as Death, is dead.
Come, let us make his bed
Among the dying flowers:
A green turf at his head;
And a stone at his feet,
Whereon we may sit
In the quiet evening hours.
He was born in the Spring,
And died before the harvesting:
On the last warm summer day
He left us; he would not stay
For Autumn twilight cold and grey.
Sit we by his grave, and sing
He is gone away.
To few chords and sad and low
Sing we so:
Be our eyes fixed on the grass
Shadow-veiled as the years pass,
While we think of all that was
In the long ago. |
Voicing:
SSAA and piano
Text: Christina Rossetti (1830-1894)
Ordering info: Cypress
Choral Music CP 1090 (distributed in the USA by Musical
Resources Inc.)
Level of Difficulty: moderate
Duration: 3’30”
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| Mirage
Voicing: SSAA and SA soloists and piano
Text: Christina Rossetti
Ordering info: Cypress
Choral Music CP 1089
Level of Difficulty: challenging with a deep and mature text
Duration: ca. 3’ |
MIRAGE
by Christina Rossetti
The hope I dreamed of was a dream,
Was but a dream; and now I wake,
Exceeding comfortless, and worn, and old,
For a dream's sake.
I hang my harp upon a tree,
A weeping willow in a lake;
I hang my silent harp there, wrung and snapped
For a dream's sake.
Lie still, lie still, my breaking heart;
My silent heart, lie still and break:
Life, and the world, and mine own self, are changed
For a dream's sake.
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| ECHO
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ECHO
by Christina Rossetti
Come to me in the silence of the night;
Come in the speaking silence of a dream;
Come with soft rounded cheeks and eyes as bright
As sunlight on a stream;
Come back in tears,
O memory, hope, love of finished years.
Oh dream how sweet, too sweet, too bitter sweet,
Whose wakening should have been in Paradise,
Where souls brimfull of love abide and meet;
Where thirsting longing eyes
Watch the slow door
That opening, letting in, lets out no more.
Yet come to me in dreams, that I may live
My very life again though cold in death:
Come back to me in dreams, that I may give
Pulse for pulse, breath for breath:
Speak low, lean low,
As long ago, my love, how long ago! |
| Voicing:
SSAA and piano
Text: Christina Rossetti
Ordering info: publisher Cypress
Choral Music CCM 1083
–(distributed in the USA by Musical
Resources Inc.)
Level of Difficulty: Moderate
Duration: 4’

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Composed 2001, published 2002. Echo was first-prize winner in the second
biennial ACCC Composition Competition. The work was premiered in Toronto
at Podium 2002, by the National Youth Choir, under the direction of
Lydia Adams.
Echo is the final movement of the choral song cycle entitled
For a Dream's Sake. This 12 minute cycle features three love
poems by Christina Rossetti (An End, Mirage, and Echo). Each are published
separately by Cypress
Choral Music.
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GENTLE
MARY LAID HER CHILD
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Voicing: 1)
SATB and piano 2) SSA and pno. 3) SAB and pno. 4) TTBB and pno.
Text: Joseph Simpson Cook
Publisher: Canadian
International Music ; in Europe Unisong
Music Publishers
Level of Difficulty: easy
Duration: 3’
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Recorded on
Gentle
Mary Laid Her Child
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SATB
look inside |
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This is one
of my more accessible choral works. The optional solo in all of the versions
is very ‘mid-range', and suitable for all types of voices. In each
of the four versions the second verse is harmonized and intended to be
sung unaccompanied. The last verse is for unison choir and descant. The
four published arrangements appear in three different keys and can be
interchanged if desired. The first version was the SATB piece which was
composed in 1994, followed by the SSA in 1995. Both of these were part
of the very first group of publications released by Canadian International
Music in 1996 (and Lorenz Corporation in the U.S.A.) The SAB and TTBB
versions of the work were completed in 2000 and published in 2001. A complete
recording (SATB) is available at J.W. Pepper, and any of the four versions
are obtainable through Sheetmusic.com and Music 44, among other well-known
retailers. In 2005, Gentle Mary was translated into both Dutch
and German and is available through the European Choral Club. |
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Gentle
Mary Laid Her Child
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| SSA
look inside |
Available for order from these fine stores:
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SAB
look inside |

TTBB
look inside |
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HARP OF WILD |
Poem:
Harp of Wild by Emily Bronté
Harp of wild
and dream-like strain,
When I touch thy strings,
Why dost thou repeat again
Long-forgotten things?
Harp, in other, earlier days,
I could sing to thee;
And not one of all my lays
Vexed my memory.
But now, if I awake a note
That gave me joy before,
Sounds of sorrow from thee float,
Changing evermore.
Yet, still steeped in memory’s dyes,
They come sailing on,
Darkening all my summer skies,
Shutting out my sun.
--Emily Bronté
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| Voicing:
SSA and piano
Text: Emily Bronte (1818-1848)
Ordering info: Classica
Music Publishers
Level of Difficulty: Moderate
Duration: 4'30'

Harp
of Wild
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Look
inside |
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Recorded
on:

Elektra's
Garden
Elektra Women's Choir
Morna Edmundson and Diane Loomer, Co-Conductors
Harp
of Wild
To
Morning
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Harp
of Wild won the first prize in the SSA category of the ACCC Choral
Composition Competition 2003-2004. The work was premiered by the
National Youth Choir, Kathryn Laurin, conductor, Tim Shantz, associate
conductor, on May 20th, at Podium 2004 in Winnipeg. This sets a text by
Emily Bronte (1818-1848) concerning love and memory.
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Reviews |
"Images of mist-covered,
wind-swept moors set the backdrop for Elektra Women’s Choir’s
romantic spring
journey, Harp of Wild. Allan Bevan’s sensitive musical setting,
varying tempos and wide dynamic ranges combined
with Emily Brontë’s evocative poem result in the perfect composition
for Elektra’s spring concert. The title catches the imagination
first as the music stirs conflicted thoughts of unrequited love and springtime.
Canadian Allan Bevan’s excellent composition craft is found in the
phrases, dynamics, and choices of keys all supporting and highlighting
the glorious lines of Bronté’s text. The harmonic language
of Harp of Wild is adventurous but not dissonant. The piece won the 2004
Association of Canadian Choral
Conductor’s Composition Competition and Elektra is looking forward
to bringing it to Vancouver audiences."
-The Electrik Wire, April 2005.
Notes from Elektra's "Thirty
Top Picks" by Diane Loomer.
"The text for this tender, endearing work is Emily
Bronte's beautiful poem “Harp of Wild”. Written for SSAA and
Piano accompaniment, Bevan sets the text above an imaginative piano accompaniment
that allows the pianist to play well into the keys while at the same time
convincingly evoking the sounds of a harp. This type of accompaniment
gives the choir a secure and encouraging base from which to sing and yet
never gets in the way of the music or the text. The harmonic language
is adventurous but not dissonant. Bevan is explicit in his dynamics and
precise in tempi. This provides the conductor, pianist and singers with
an excellent road map from which to work, thereby allowing them to bring
the primary emphasis to the text and its meaning. Excellent compositional
craft is at work here with phrases, dynamics, and choices of keys all
supporting and highlighting the glorious, poignant lines of Bronte's text.
This piece won the 2004 Association of Canadian Choral Conductors Composition
Competition. Once you sing it, you'll understand why." – DL
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Mirage
Voicing: SSAA and SA soloists and piano
Text: Christina Rossetti
Ordering info: Cypress
Choral Music CP 1089
Level of Difficulty: challenging with a deep and mature
text
Duration: ca. 3’
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MIRAGE by Christina Rossetti
The hope I dreamed of was a dream,
Was but a dream; and now I wake,
Exceeding comfortless, and worn, and old,
For a dream's sake.
I hang my harp upon a tree,
A weeping willow in a lake;
I hang my silent harp there, wrung and snapped
For a dream's sake.
Lie still, lie still, my breaking heart;
My silent heart, lie still and break:
Life, and the world, and mine own self, are changed
For a dream's sake.
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Sweet Trees Who Shade This Mould
of Earth
Voicing: SSAA with piano
Text: Fernando de Rojas (fl. 16th c.) Translated by James
Mabbe
Ordering info: unpublished contact
composer for more information
Level of Difficulty: Moderately difficult
Duration: 5' 30"
This work was commissioned by Da Camera Singers,
Edmonton, Alberta, and received its world premiere at their
Venus Meets Mars concert on March 16th, 2005.
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SSAA
version Recorded on:
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Voicing:
SSAA a cappella
Text: St. Jean de Brebeuf (1593-1659) translated by J. Edgar Middleton (1872-1960)
unpublished: contact
composer
Level of Difficulty: Moderately easy
Duration: 2' 30"
(see also the SATB version) |
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And
On Earth Peace
Heruvymy Ukrainian Female Quartet |
| This arrangement for treble voices revoices the
published SATB version. I did this for the vocal quartet Heruvymy
of Edmonton in 2003. |
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THERE, IN THAT
OTHER WORLD |
Recorded
on:
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Voicing: SSAA and piano
Text: Mary Coleridge
Ordering info: classica
Music
Publishers
Level of Difficulty: Moderately difficult
Duration: 6’ |
| This
commission from Ariose
Women's Choir of Edmonton, Dr. Marilyn Kerley, conductor was premiered
on April 17, 2005. In November 2005, the choir released a recording of the
work (order). It sets a haunting poem
by Mary Coleridge. Scored for SSAA and piano it is 5 minutes in duration
and is moderately difficult. |
There
in That Other World
Ariose women's choir,
Marilyn Kerley, conductor
There
in That Other World
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| TO
MORNING |
| Voicing:
SSA and piano
Text: William Blake (1770-1827)
Level of Difficulty: Moderate choral parts- technically-capable pianist
required.
Duration:
3’
Order copies of the score:
(CANADA) Cypress
Choral Music (CCM 1076)
(USA) Musical
Resources, Toledo OH
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listen
to
The University of Alberta Madrigal Singers (singing pages 4 and
5)
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Text
of
To Morning
from William Blake's "Poetical Sketches" (1783)
O holy virgin!
Clad in purest white,
Unlock heav'n's golden gates, and issue forth:
Awake the
dawn that sleeps in heav'n: let light
Rise from the chambers of the east, and bring
The honied dew that cometh on waking day.
O radiant
morning, salute the sun,
Rouz'd like a huntsman to the chase, and with
Thy buskin'd feet, appear upon our hills. |
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I began work on the choral composition as early
as 1981, when I was an undergraduate studying composition with Paul McIntyre
at The University of Windsor. Unfortunately, we ran out of time in the term
and I didn’t finish it. I promptly forgot about it, until I found
the original sketch again fourteen years later! I went on to finish the
piece in 1995, and it remains one of my own personal favourites. It was
published by Cypress Choral Music in 2002 and was chosen as one
of Elektra Women's Choir "Top
Thirty" picks for treble voices (see below). In 2006 the work was scored
for string orchestra to enter into the "Mozart 250 Composition Competition"
sponsored by Chamber Orchestra Kremlin. It was selected
as the winner of the orchestra's member choice award, and has been performed
by them numerous times in Europe and the U.S. |

The Music
in Me
Cantaré
Children's Choir
Catherine
Glaser-Clime, Founder/ Artistic Director
To
Morning
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Recorded
on:

Elektra's
Garden
Elektra Women's Choir
Morna Edmundson and Diane Loomer, Co-Conductors
Harp
of Wild
To
Morning
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Review
Notes from Elektra's "Thirty
Top Picks" by Morna Edmundson.
"After a somber and mysterious introduction by the
piano, the opening vocal line of this setting of William Blake's poem
sounds and feels like a sacred work, but the line “O holy virgin”
refers not to the Virgin Mary but to “morning” herself, “clad
in purest white”. Scored for piano and voices in three parts, the
emphasis is definitely on the text, creating lots of opportunity for your
choir to sing expressively and with good diction. In spite of a harmonic
language that is quite adventurous, this piece sings beautifully and the
lines are well crafted for voices. Clear dynamic contrasts and frequent
unisons in a fairly low range contribute to this piece's beautiful unfolding,
mirroring the sunrise it describes. The climax comes in the last chords
by the choir, at which point you need a few first sopranos who can sing
one high Bb with poise. We never hesitate to use just a few voices in
spots like this." – ME |

listen
to
Chamber Orchestra Kremlin (Moscow)
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