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SSAA
a cappella
Text: anonymous antiphon, ca. 12th century
Moderately difficult
Duration: 3'50" |
Classica Music Publishers |
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Ave
Regina Caelorum |
| Ave
Regina caelorum,
Ave Domina Angelorum:
Salve radix, salve porta,
Ex qua mundo lux est orta:
Gaude Virgo gloriosa,
Super omnes speciosa,
Vale, o valde decora,
Et pro nobis Christum exora. |
Hail,
Queen of the heavens,
Hail, ruler of the angels:
Hail, root: hail, portal,
From whom light has shone to the world.
Hail, Virgin most glorious,
Beautiful above all,
Farewell, O most comely,
And pray to Christ for us. |
Ave
Regina Caelorum (Hail, Queen of Heaven) is one of the four
ancient prayers collectively known as the Marian Antiphons. Together
with the Alma Redemptoris Mater, Regina Coeli, and Salve Regina the
four antiphons are assigned to a portion of the church year and sung
folloing the evening Offices of Vespers or Compline. Ave Regina Caelorum
is used from the Feast of the Purification of Mary (The Presentation
of the Lord) on February 2, through the Wednesday of Holy Week. The
origin of the Ave Regina Caelorum prayer is unknown but it appears in
the Saint Alban's Book of the twelfth century.
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SATB a cappella
Level of Difficulty: medium
Duration: 3’ |
Classica
Music Publishers
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I
Got Me Flowers is the latter half of George Herbert's poem,
Easter, selected from his collection of sacred poetry The
Temple (published posthumously in 1633). Herbert was raised in
a politically-ambitious and wealthy family, attended Cambridge and was
an MP for two years. He gave this up in favour of the priesthood, serving
at a small parish near Salisbury where he wrote much of his poetry.
Herbert
is grouped together with other seventeenth-century "metaphysical"
poets such as John Donne and Henry Vaughan (see Allan Bevan's Three
Motets on Texts of Henry Vaughan). The "metaphysicals"
are appreciated for their striking imagery and for their metrical innovations.
I Got Me Flowers describes events of Holy Week and Easter in a personal
manner. The "flowers to straw thy way" bring to mind Christ's
triumphnat entry into Jerusalem, while the remainder of the poem concerns
itself with Easter Day, declaring it incomparable amongst the "three
hundred" other days of the year.
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